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Submissions from 2021

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Narcos in Jesús María: Dystopian empowerment in the amateur exploitation film Corazón cubano / Cuban Heart (2014), Walfrido Dorta

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Without Initiation Ceremonies: Cuban Literary and Cultural E-zines, Walfrido Dorta

Daughter Courage and Her Mother: Affect, Gesture, Voice, Martina Kolb

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(Dis)Embodiment and Subject Formation in María Lourdes Pallais’s Prisionera de mi tío (2006), Greg C. Severyn

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Not Just One, Many: Emasculation, Foreign Impositions, and the Crisis of Masculinity in Máximo Soto Hall’s El problema (1899), Greg C. Severyn

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Unbecoming Nadie: Feminism and the Epistolary Form in María Lourdes Pallais’s Novel La carta, Greg C. Severyn

Submissions from 2020

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Cubaxploitation: el cine de Jorge Molina (voyerismo, fetichismo y la mujer monstruosa), Walfrido Dorta

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Poetic Agency: Edith Jacobson’s Captivity, Martina Kolb

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Well-Versed: Edith Jacobson’s Expressionism, Martina Kolb

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Echo Revisited: Incapacitation, Exploitation, Reverberation, Martina Kolb and Emiliana Russo

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Bars, banality, mierda and love: The struggle for (comm)unity in the Costa Rican film El regreso/The Return, Greg C. Severyn

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Destellos Del Horror: El Sida en La Obra de Reinaldo Arenas, Mirta Suquet

Submissions from 2019

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A poetics of loss, Martina Kolb

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La moda en la literatura cubana, 1960–1979: Tejiendo y destejiendo al hombre nuevo, Mirta Suquet and Maria A. Cabrara Arus

La literatura femenina sobre el vih/sida escrita en España, Mirta Suquet and Rafael M. Merida Jimenez

Submissions from 2018

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The “Non-Level Concept” and Its Potential for Curricular Innovation, Daryl M. Rodgers

Submissions from 2014

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The 1925 Paris Exposition des Arts Décoratifs et Industriels Modernes and Le Pavillon de L’Esprit Nouveau: Le Corbusier’s Manifesto for Modern Man, Lynn E. Palermo