Submissions from 2021
Narcos in Jesús María: Dystopian empowerment in the amateur exploitation film Corazón cubano / Cuban Heart (2014), Walfrido Dorta
Without Initiation Ceremonies: Cuban Literary and Cultural E-zines, Walfrido Dorta
Daughter Courage and Her Mother: Affect, Gesture, Voice, Martina Kolb
(Dis)Embodiment and Subject Formation in María Lourdes Pallais’s Prisionera de mi tío (2006), Greg C. Severyn
Not Just One, Many: Emasculation, Foreign Impositions, and the Crisis of Masculinity in Máximo Soto Hall’s El problema (1899), Greg C. Severyn
Unbecoming Nadie: Feminism and the Epistolary Form in María Lourdes Pallais’s Novel La carta, Greg C. Severyn
Submissions from 2020
Cubaxploitation: el cine de Jorge Molina (voyerismo, fetichismo y la mujer monstruosa), Walfrido Dorta
Poetic Agency: Edith Jacobson’s Captivity, Martina Kolb
Well-Versed: Edith Jacobson’s Expressionism, Martina Kolb
Echo Revisited: Incapacitation, Exploitation, Reverberation, Martina Kolb and Emiliana Russo
Bars, banality, mierda and love: The struggle for (comm)unity in the Costa Rican film El regreso/The Return, Greg C. Severyn
Destellos Del Horror: El Sida en La Obra de Reinaldo Arenas, Mirta Suquet
Submissions from 2019
A poetics of loss, Martina Kolb
La moda en la literatura cubana, 1960–1979: Tejiendo y destejiendo al hombre nuevo, Mirta Suquet and Maria A. Cabrara Arus
La literatura femenina sobre el vih/sida escrita en España, Mirta Suquet and Rafael M. Merida Jimenez
Submissions from 2018
The “Non-Level Concept” and Its Potential for Curricular Innovation, Daryl M. Rodgers
Submissions from 2014
The 1925 Paris Exposition des Arts Décoratifs et Industriels Modernes and Le Pavillon de L’Esprit Nouveau: Le Corbusier’s Manifesto for Modern Man, Lynn E. Palermo